1406-1444 Robert Campin Location South Netherlandish painter. He is first mentioned in 1405-6 as a painter in Tournai. As he purchased citizenship there in 1410, he may have been born elsewhere. There is evidence of some connection with Valenciennes, where the name Campin is said to have been common, but nothing certain is known of his artistic training and background.  Related Paintings of Robert Campin :. | St Veronica | mass of Saint Gregory | Maria with the child framfor hard | St Barbara | Portrait of a Man (mk08) |
Related Artists:
Marc Charles Gabriel Gleyre
Charles Gleyre (full name Marc Gabriel Charles Gleyre) (Chevilly, Vaud canton, 2 May 1806 - 5 May 1874), was a Swiss artist. He took over the studio of Paul Delaroche in 1843 and taught a number of younger artists who became prominent, including Claude Monet, Pierre Auguste Renoir, Alfred Sisley and James Abbott McNeill Whistler. Self portraitHis father and mother died when he was eight or nine years of age; and he was brought up by an uncle in Lyon, France, who sent him to the industrial school of that city. Going to Paris in his late teens, he spent four years in intense artistic study. The following four years Gleyre spent in meditative inactivity in Italy, where he became acquainted with Horace Vernet and Louis Leopold Robert; and six years more were spent wandering in Greece, Egypt, Nubia and Syria. At Cairo he was attacked with ophthalmia, or inflammation of the eye, and in Lebanon he was struck down by fever. He returned to Lyons in shattered health. On his recovery he proceeded to Paris, and, establishing a modest studio in the rue de Universite, began carefully to work out the ideas which had been slowly shaping themselves in his mind. Mention is made of two decorative panels Diana leaving the Bath, and a Young Nubian as almost the first fruits of his genius; but these did not attract public attention until much later, and the painting by which he practically opened his artistic career was the Apocalyptic Vision of St John, sent to the Salon of 1840. This was followed in 1843 by Evening, which at the time received a medal of the second class, and afterwards became widely popular under the title Lost Illusions. It depicts a poet seated on the bank of a river, with his head drooping and a wearied posture, letting his lyre slip from a careless hand, and gazing sadly at a bright company of maidens whose song is slowly dying from his ear as their boat is borne slowly from his sight.
Robert Talbot Kelly
(1861 - 1934) was an English orientalist landscape and genre painter, author and illustrator. Kelly was born in Birkenhead, Cheshire, the son of Irish landscape artist Robert George Kelly. He left school in 1876 to take up work in a firm of cotton traders, but was also taught art by his father, exhibiting under the name R. G. Kelly Jnr. In the early 1880s, inspired by the places he saw while on vacation on an ocean cruise ship, Talbot-Kelly decided to take up his father's profession. He left his employment in 1882, travelled by boat to North Africa, and settled in Egypt in 1883, acquiring a studio in Cairo and becoming fluent in Arabic. He travelled throughout the country, writing about and painting the people and scenes he encountered both in towns and in the desert. He spent a considerable time with the Bedouin tribes who he described and illustrated in his 1902 book, "Egypt painted and described" (A & C Black). As his name became known he also earned an income from private commissions. He stayed in Egypt until 1915 when for reasons of health and age he returned to London - though he continued to paint constantly. An Arab cafe in Cairo (from "Egypt painted and described", 1902)"Egypt painted and described", his first illustrated travel book, was published in 1902 (by A & C Black), and was an account of his impressions and experiences of that country during his long stay there; an exhibition of his Egyptian views was also held at the Fine Art Society in the same year. His paintings and writing showed a great empathy and respect for local people and culture, especially that of the desert Bedouin Arabs.
Johannes Cornelisz Verspronck
(between 1600 and 1603, Haarlem - buried June 30, 1662, Haarlem) was a gifted Dutch Golden Age portraitist. He was the son of the painter Cornelis Engelsz from Gouda, who taught him to paint portraits. In 1632 he became a member of the Haarlem Guild of St. Luke and started a successful career as a portraitist of mostly Catholic sitters in Haarlem. He may have been a Frans Hals pupil, and was strongly influenced by him, especially in his natural expressions and relaxed poses. He is best known for his exactness in painting details such as jewelry and lace, which made him quite popular with female sitters. Most notably, he won a lucrative commission in 1642 for a group portrait of the regentesses of the St. Elisabeth Gasthuis, at the time the wealthiest charity institution in Haarlem. This was won at the expense of Frans Hals himself, who had painted the regents of the St. Elisabeth Gasthuis in 1641 and fully expected to win the commission for the women.